R8
Regardless of the number of tracks being recorded, the maximum continuous recording time is about 6 hours when using 16-bit/44.1 kHz WAV format and about 4 hours when using 24-bit/44.1 kHz WAV format.
NOTE: When recording tracks using a stereo link, however, the maximum continuous recording time is halved.
Press the [UNDO/REDO] key to cancel the immediately preceding recording operation. For details, see page 25 of the Operation Manual.
NOTE: To redo only a portion of a track, use punch-in/punch-out recording. For details, see pages 31-32 of the Operation Manual.
Yes, you can. Press the TRACK key and change the file selection of that track to “New Take” to keep the recorded data and record to a new file. Recorded files are saved with the project they are recorded in, so you can select the files to be played back on each track later. This is convenient for recording multiple takes of vocals and guitar solos so that you can compare them later and choose the best takes. For details, see page 26 of the Operation Manual.
This happens when there is not enough free capacity on the SD card. Insert a new SD card or erase some data from the card to free up space.
It is designed to alert the user that the batteries will soon be exhausted and should be replaced as soon as possible.
If playback is conducted while an audio track is set to REC status (armed to record), a temporary file will be created on the R8. If the SD card does not have enough space, the temporary file may fill the card, causing the recorder to stop. If this occurs, cancel the REC status of the audio track.
Yes, the R8 has a built-in clock and can append date and time information to recorded files. The clock should be set to the correct date and time, as described on page 14 of the Operation Manual.
NOTE: The date/time of the clock will be reset if the R8 is without power for more than one minute.
When using the built-in microphones, physical vibrations caused by very low-frequency sounds can be recorded as distortion. When setting up the R8, avoid locations that could be subject to vibrations from loudspeakers or a drum set, for example. Placing the unit on a soft cloth might also help reduce vibrations.
No, the R8 does not have a scene memory function.
NOTE: The mixer settings for each project are stored automatically when the project is completed.
Yes, this is possible by using the dedicated switch. The main output then will carry only the audio tracks without the metronome sound, and the headphone output will carry both the audio tracks and the metronome sound. For example, a backing track recorded on the R8 could be sent to the sound system of a concert venue, while the performers could monitor the metronome sound with headphones as a guide rhythm. The unit can also output a click track imported from a computer instead of the metronome sound. For details, see page 19 of the Operation Manual.
Yes, it can. From the [TOOL] menu, access the [METRONOME] settings and select [LEVEL]. You can adjust the metronome volume in a range between 0 and 100. For details, see page 19 of the Operation Manual.
The mark information is memorized by the recorder using hour/minute/second/millisecond information. The corresponding bar/beat/tick indication is calculated for every locate operation, based on the tempo and beat information from the rhythm section. This calculation may result in a slight error. To perform a more precise locate operation, specify the mark point using the hour/minute/second/millisecond indication.
The tuner function can be used, but the metronome function is not available while using the audio interface function of the unit.
Yes, this is possible. During playback or recording with DAW software, the fader controls as well as the transport functions can also be used. All basic DAW software operations can be carried out easily using only the R8.
Yes. The control surface function of the R8 is based on the Mackie Control emulation mode. Therefore, it can be used with any DAW software that supports Mackie Control. For information on settings for Logic, Sonar, Live and Digital Performer, see pages 29–32 of the Audio Interface Manual for the R8.
If the DAW application has a throughput function (routing the input signal through to the output during recording), be sure to turn it off. If the function is enabled, the direct output from the R8 and the throughput signal from the DAW application are heard together, which causes the flanger-like sound.
No, this is not supported. The audio interface function and the recorder function cannot be used simultaneously.
When using the audio interface function to input audio using the R8, the computer is usually set to also output sound via the R8. In this case, the speakers should be connected to the outputs of the R8, rather than directly to the computer.
When used as an audio interface, the R8 uses the sampling rate setting of the DAW software. To change the sampling rate setting for Cubase LE, access the project menu and open the project settings window.
The Control Surface function uses MIDI signals for controlling the DAW application. If “R8” or “All MIDI Inputs” is selected as the input device for MIDI tracks, change this setting to “Not Connected”.
OEM software from Steinberg changed bundled installation disc to download version. There may not be installation disc in the package after that change, even if the disc is on bundled item list in the operation manual. Please download OEM software from Steinberg website with access code in bundled sheet.
No, the R8 does not have an audio editing function. File operations such as copy, delete, and split are possible, but partial editing of audio content is not possible. To edit audio data, use the included Cubase LE software application or another DAW.
No, this is not supported.
The audio interface and control surface functions can be powered via a USB connection to a computer. The recorder function of the R8 cannot operate on USB bus power.
NOTE: With some computers, power supplied to the R8 by USB might be insufficient for using its phantom power capabilities. In such cases, operate the R8 using the AC adapter.
Yes, this is not a problem. The batteries will not be used in these cases.
Yes. However, please note that the R8 cannot charge such batteries. You should therefore use a commercially-available charger designed for the batteries you are using. In addition, to ensure that the remaining battery capacity is indicated correctly by the R8, set the “BATTERY TYPE” item in the “SYSTEM” menu to “Ni-MH”. For details, see page 111 of the Operation Manual.
Some computer-based media player software does not support playback of 24-bit WAV files. Please verify which formats are supported by the media player software that you are using.
This is a special kind of connector that can accept two different kinds of plugs, XLR input for microphones and phone input for line-level sources. Channels 5/6 have a PHANTOM switch which provides phantom power capability for professional quality condenser microphones, and channel 1 has a Hi-Z switch for direct connection of a guitar, bass, or other instrument. Consequently, the R16 supports all kinds of input sources.
No, SDXC cards (a new higher capacity standard) are not supported. The R8 supports SD cards (16 MB - 2 GB) and SDHC cards (4 GB - 32 GB).
For information on SD/SDHC cards that have been verified to operate with the unit, please see here.